PRESENTS

A new film from directors
Dominique Cardona and Laurie Colbert,
based on the Pulitzer Prize-Nominated play
“Keely and Du”, by Jane Martin.

CAST

Laurence LeBoeuf

Laurence LeBoeuf inherited the acting gene from her parents, veteran Canadian actors Diane Lavallée and Marcel Leboeuf. Her first role was at age 11 in the series Virginie and she quickly became a darling of Quebec audiences and critics, accumulating numerous awards and accolades. Since then she has appeared in over 40 films and television programs (in both English and French) and has had lead roles in several acclaimed series. Laurence was nominated for for a Gemini Award for her work in 15/Love, her first English-language project for U.S. audiences. Her role as Angélique in the 2007 film, My Daughter, My Angel earned her a Jutra award and she received three Gemeaux awards for best actress in a television series for Les Lavigueur, la vraie histoire, Musée Eden and Marche à l’ombre.

In 2016 Laurence was named best actress Série Mania Festival in Paris for her work in Marche à l’ombre. The festival favourite Turbo Kid (2015) confirmed her as a presence in the international cinema scene.

Nancy Palk

Acclaimed Canadian theatre actor and director, Nancy Palk was raised in Winnipeg and London, Ontario. She graduated from Queen’s University in 1977, and from the National Theatre School of Canada (where she was mentored by Douglas Rain) in 1979.

Nancy is a founding member and resident artist at Soulpepper Theatre Company, for whom she has acted in a wide range of plays and roles, often playing exceptional and challenging mothers. Her recent theatre credits include: Angels in America Parts I and II (2014); The Crucible (2014); A Tender Thing (2014, with her husband Joseph Ziegler); Rosencrantz and Guildenstern Are Dead (2013); Long Day’s Journey Into Night (2012, with Ziegler) ; You Can’t Take it With You (2012); and The Glass Menagerie (2011).

A sought-after film and television presence, Nancy has worked on series from The Wonderful World of Disney to Queer as Folk and Suits. Fans of the popular crime drama Rogue, starring Tandie Newton, will recognize Nancy as “Betsy”, a role she played from 2015 to 2016.

Aidan Devine

Born in England, Aidan Devine moved with his family to Canada at age 15. He studied at Dawson College‘s Dome Theatre in Montreal, where he began his acting career before relocating to Toronto in the mid 1990s. His breakout role came in Denys Arcand’s, Love and Human Remains (1993).

Since then he has worked steadily in Canadian and American television and has has captured two Gemini Awards: best actor in 1997 for his performance as Ted Lindsay in Net Worth and best supporting actor for his role in The Arrow

Peter Mooney

Peter Mooney is a talented actor and screenwriter. A cast regular on Rookie Blue for three seasons, he also starred in the Starz TV series Camelot and has made recent guest appearances on Heroes Reborn, Republic of Doyle, Heartland, Beauty and the Beast, Played and CSI: Miami. He was featured in The Tower and Zos – Zone of Security and starred on Falcon Beach for two seasons.

Peter co-produced and starred in the independent film We Were Wolves, which premiered at the 2014 Toronto International Film Festival (TIFF). Recent film credits include the independent films Blowback, Paseo, Catch and Release and Must Kill Karl.

Perhaps best known for his his roles as Nick Collins on three seasons of Rookie Blue and Sir Kay in Starz TV’s historical fantasy series Camelot, Winnipeg-born Peter Mooney also starred in Saving Hope and, most recently, Burden of Truth. 

A graduate of the prestigious National Theatre School of Canada, Peter has headlined several live productions including at his home town’s Manitoba Theatre Centre. He is also an accomplished screenwriter. His short film Parachute premiered at the 2014 Tribeca Film Festival, while his first short, Method, screened at the Toronto International Film Festival in 2013.

CAST

Laurence LeBoeuf

Laurence LeBoeuf inherited the acting gene from her parents, veteran Canadian actors Diane Lavallée and Marcel Leboeuf. Her first role was at age 11 in the series Virginie and she quickly became a darling of Quebec audiences and critics, accumulating numerous awards and accolades. Since then she has appeared in over 40 films and television programs (in both English and French) and has had lead roles in several acclaimed series. Laurence was nominated for for a Gemini Award for her work in 15/Love, her first English-language project for U.S. audiences. Her role as Angélique in the 2007 film, My Daughter, My Angel earned her a Jutra award and she received three Gemeaux awards for best actress in a television series for Les Lavigueur, la vraie histoire, Musée Eden and Marche à l’ombre.

In 2016 Laurence was named best actress Série Mania Festival in Paris for her work in Marche à l’ombre. The festival favourite Turbo Kid (2015) confirmed her as a presence in the international cinema scene.

Nancy Palk

Acclaimed Canadian theatre actor and director, Nancy Palk was raised in Winnipeg and London, Ontario. She graduated from Queen’s University in 1977, and from the National Theatre School of Canada (where she was mentored by Douglas Rain) in 1979.

Nancy is a founding member and resident artist at Soulpepper Theatre Company, for whom she has acted in a wide range of plays and roles, often playing exceptional and challenging mothers. Her recent theatre credits include: Angels in America Parts I and II (2014); The Crucible (2014); A Tender Thing (2014, with her husband Joseph Ziegler); Rosencrantz and Guildenstern Are Dead (2013); Long Day’s Journey Into Night (2012, with Ziegler) ; You Can’t Take it With You (2012); and The Glass Menagerie (2011).

A sought-after film and television presence, Nancy has worked on series from The Wonderful World of Disney to Queer as Folk and Suits. Fans of the popular crime drama Rogue, starring Tandie Newton, will recognize Nancy as “Betsy”, a role she played from 2015 to 2016.

Aidan Devine

Born in England, Aidan Devine moved with his family to Canada at age 15. He studied at Dawson College‘s Dome Theatre in Montreal, where he began his acting career before relocating to Toronto in the mid 1990s. His breakout role came in Denys Arcand’s, Love and Human Remains (1993).

Since then he has worked steadily in Canadian and American television and has has captured two Gemini Awards: best actor in 1997 for his performance as Ted Lindsay in Net Worth and best supporting actor for his role in The Arrow

Peter Mooney

Peter Mooney is a talented actor and screenwriter. A cast regular on Rookie Blue for three seasons, he also starred in the Starz TV series Camelot and has made recent guest appearances on Heroes Reborn, Republic of Doyle, Heartland, Beauty and the Beast, Played and CSI: Miami. He was featured in The Tower and Zos – Zone of Security and starred on Falcon Beach for two seasons.

Peter co-produced and starred in the independent film We Were Wolves, which premiered at the 2014 Toronto International Film Festival (TIFF). Recent film credits include the independent films Blowback, Paseo, Catch and Release and Must Kill Karl.

Perhaps best known for his his roles as Nick Collins on three seasons of Rookie Blue and Sir Kay in Starz TV’s historical fantasy series Camelot, Winnipeg-born Peter Mooney also starred in Saving Hope and, most recently, Burden of Truth. 

A graduate of the prestigious National Theatre School of Canada, Peter has headlined several live productions including at his home town’s Manitoba Theatre Centre. He is also an accomplished screenwriter. His short film Parachute premiered at the 2014 Tribeca Film Festival, while his first short, Method, screened at the Toronto International Film Festival in 2013.

STORY

Keely, a young pregnant woman, wakes to find herself captive on a remote northern island. Frightened and desperate, she clashes violently with Du, the seemingly impenetrable religious fundamentalist who is both her guard and caregiver. Keely quickly discovers that she is nothing more than a pawn in a sinister anti-abortion game being played out far from her wilderness prison. With escape from the island impossible, she must rely on her wits if she hopes to outplay her captors and win back her freedom.

STORY

An extremist anti-abortion faction executes a brazen kidnapping and transports a young pregnant woman to a remote location where she will be forced to bring her pregnancy to term. Keely awakens to find herself captive in a rustic fishing cabin in northern Ontario, alone but for Du, a middle-aged zealot who has been assigned to be both her guard and caregiver. Their only connection to the outside world is Robert, the menacing mastermind of the operation whose unpredictable arrivals by boat bring equal parts preaching, food and fear. Once she discovers that there is no escape from the island, Keely tries to adapt to the terrifying reality of her situation.

While Keely continually pleads for her release and resists the religious reprogramming attempts of her captors, she does allow a fragile truce with the kindly Du. As the summer fades and fall approaches, Robert’s visits to the island become less frequent. Forced together in the beautiful but rugged Canadian wilderness with limited supplies, the two very different women gradually form a bond that transcends the brutality of their actual relationship.

Throughout her captivity, Keely remains steadfast in her determination to end her pregnancy and reclaim her autonomy. Frustrated by her lack of compliance, Robert pushes with increasing force against her resolve. Keely meets him with equal force, setting in motion a shocking and violent showdown that will test the conviction of everyone on the island.

STORY

An extremist anti-abortion faction executes a brazen kidnapping and transports a young pregnant woman to a remote location where she will be forced to bring her pregnancy to term. Keely awakens to find herself captive in a rustic fishing cabin in northern Ontario, alone but for Du, a middle-aged zealot who has been assigned to be both her guard and caregiver. Their only connection to the outside world is Robert, the menacing mastermind of the operation whose unpredictable arrivals by boat bring equal parts preaching, food and fear. Once she discovers that there is no escape from the island, Keely tries to adapt to the terrifying reality of her situation.

While Keely continually pleads for her release and resists the religious reprogramming attempts of her captors, she does allow a fragile truce with the kindly Du. As the summer fades and fall approaches, Robert’s visits to the island become less frequent. Forced together in the beautiful but rugged Canadian wilderness with limited supplies, the two very different women gradually form a bond that transcends the brutality of their actual relationship.

Throughout her captivity, Keely remains steadfast in her determination to end her pregnancy and reclaim her autonomy. Frustrated by her lack of compliance, Robert pushes with increasing force against her resolve. Keely meets him with equal force, setting in motion a shocking and violent showdown that will test the conviction of everyone on the island.

GALLERY

GALLERY

FILMMAKERS

Rechna Varma, Producer

Canadian Film Centre alumni Rechna Varma is a storyteller who continues to capture the disfunction of people regardless of her role and medium. As a Canadian in the U.S. Rechna is currently developing a series she’s created with eOne called LOVE RULES. Her initial pilot was shortlisted as a semi-finalist for Content London in 2019 and gained Rechna an invitation to the NETFLIX-BANFF Diversity of Voices Initiative Professional Development Program in 2020. The script went on to win an award at the 2020 Panel Presentation & Juried Script Competition for the University Film and Video Association (UFVA) Virtual Conference.

Rechna produces under her banner Rechna Varma Productions. Recent films include CATCH AND RELEASE (2019) which is an adaptation of the Pulitzer nominated play “Keely and Du” and MARGARITA (2012) which won Best Feature at Inside Out Toronto. Her scripted television work as director of  development at Sphere Media Plus includes: THIS LIFE (CBC), 19-2 (CTV) and BAD BLOOD (Netflix). Rechna also has extensive experience working in lifestyle television. Series include: SMART WOMAN’S SURVIVAL GUIDE (W NETWORK), PARTY MAMA’S (SLICE), THE UNSELLABLES (HGTV). As the executive in charge of production & post at the Canadian Film Centre in Toronto she cultivated talent  and over saw production for 100+ productions per year.

At heart Rechna is a life learner and traveller seeking memorable experiences and as a sun monger she finds her happy place is the beach.

Jennifer Mesich, Producer

Driven by a passion to produce powerful female-focused content, Jennifer Mesich established in Nunavut, Canada. One of her latest films “Castle In The Ground” screened at the Toronto International Film Festival (2019) and “Trouble In The Garden” was released earlier this year. Her other films “She Never Died,” “Catch & Release” and “The Corruption of Divine Providence” are enjoying their festival run and are slated for release over the next few months.

A graduate of the Canadian Film Centre Producers’ Lab, Jennifer previously worked at Don Carmody Productions, quickly rising to become Director of Development and Production for Film and Television. She is an award winning filmmaker whose films have played at such festivals as Tribeca,Vancouver, Calgary, Whistler and Palm Springs.

An alumnus of the Berlinale Talent Lab, TIFF Talent Lab, Trans Atlantic Partners and Telefilm Canada’s PITCH THIS!, Jennifer is also a member of the Academy of Canadian Cinema & Television, Canadian Media Producers Association and the Directors Guild of Canada. Her company is currently in development on the feature film “12 Days” which is based on true events. 

Dominique Cardona and Laurie Colbert, Directors

Internationally acclaimed directors Dominique Cardona and Laurie Colbert, who have won over audiences and critics with their signature ability to combine feminist activism with compelling storytelling, continue to use film as a medium for sharing the global truth of women’s lives.

Their honest, accessible style can be seen in the recent drama MARGARITA, which played at the Palm Springs International Film Festival (Gay!La Hers) and won the Audience Award at Toronto’s Inside/Out Film Festival. The film has been lauded as both “a potent cocktail of heart, humour and humanity” (Sight and Sound) and “a crowd-pleasing gem” (So So Gay).

The directing team’s first feature, FINN’S GIRL, screened at Outfest: Los Angeles Gay & Lesbian Film Festival, where it won the Outstanding Emerging Talent Award. Variety endorsed it as “an intelligent juggling of disparate elements including pubescent unrest, single parenting, lesbian widowhood and anti-abortionist violence” and The Vancouver Sun applauded a “taboo-busting piece of cinema”.

Their first short dramatic film, BELOW THE BELT, was selected for both the Berlin International Film Festival and the Toronto International Film Festival and nominated for a Genie (the Canadian Oscar equivalent). Cinemascope called it a “story of first love, captured perfectly in all its naïveté and confusion.”

Cardona and Colbert’s documentary THANK GOD I’M A LESBIAN, featuring Dionne Brand, Julia Creet, and Lee Pui Ming, premiered at the Toronto International Film Festival before a successful tour of over 100 festivals worldwide. A “snappy, intelligent spielfest” (Variety), the film has won numerous accolades, including Audience Awards at Créteil International Women’s Film Fest and Torino Gay and Lesbian Film Fest. Their ground-breaking 1997 doc, MY FEMINISM, featuring Gloria Steinem, bell hooks, Urvashi Vaid, and Urvashi Butalia, premiered at the Montreal International Film Festival and won Best Feature Documentary at Reel Affirmations Washington D.C. Ithaca College’s Patricia Zimmerman described it as “empowering, edifying, mobilising.” Still considered ‘must watches’ in many women’s studies curricula, both films are included in the collections of Stanford University and many other prestigious archives.

CONTACT

CATCH AND RELEASE WAS PRODUCED
WITH THE FINANCIAL PARTICIPATION OF

DISTRIBUTED BY

CATCH AND RELEASE WAS PRODUCED
WITH THE FINANCIAL PARTICIPATION OF

DISTRIBUTED BY